Chris Ofili painting
Martin Creed's 'Everything is Going to be Alright', Jorge Pardo's yellow glass lamps, and coconut lamp by Wade Guyton & Kelly Walker
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2012: Museu Labirinto / Museum of Unlimited Growth, Rio de Janeiro
2011: Gran Bienal Tropical, curated by Pablo Leon de la Barra at La Comai in San Juan, Puerto Rico
2011: 'Savage Lava Jungles' my contribution to the Serpentine Gallery's Garden Marathon
2011: 'Bananas is my Business: The South American Way' at Museu Carmen Miranda, Rio de Janeiro
2011: '23 de Janeiro': Ideal Demonstration Apartment, ArtRio, Rio de Janeiro
2011: 'Incidents of Mirror Travel in Yucatan and Elsewhere' an exhibition by PLB at Museo Tamayo
2011: Novo Museo Tropical Architecture
2010: 'Diagrama Tropical' an attempt to construct a tropical history
2010: 'Paisaje Inutil: A Notebook on Cities and Places', a special edition of Pablo Magazine
2010: Mies Cruising Pavilion Montjuic, an unauthorised exhibition in the Barcelona Pavilion
2010: Incidents of Travel in Central America, Chiapas, Yucatan and Elsewhere... at CCE, Guatemala
2010: Cerith Wyn Evans at Casa Barragan, Mexico City
2009/10: The Next Documenta Should be in Brasilia
2010: Tristes Tropiques at The Barber Shop in Lisboa
2010: Somewhere Over the Rainbow, CircaLabs, San Juan, Puerto Rico
2009: Abstract Reality, Cooperativa Internacional Tropical in Bogota
2009: Novo Museo Tropical Manifesto
2009: This Is Not America, San Juan, Puerto Rico
2009: El Noa Noa, Bogota, Colombia
2009: Dominique Gonzalez-Foerster and Pablo Leon de la Barra, conversation at Tate Modern
2009: Rotterdam Dialogues: The Curators at Witte de With
2008: Lessons on Psicotronica Tropical, Rio de Janeiro
2008: Case Study Houses: Pablo Magazine Special Issue
2008: Sueño de Casa Propia, Mexico City
2008: Sueño de Casa Propia, Cordoba, Spain
2007: Sueño de Casa Propia, Madrid
2007: Sueño de Casa Propia, Geneva
2006: Glory Hole, an exhibition
2006: Guia do Copan/CopaCopan Day, Sao Paulo
2005: George and Dragon at ICA
2004: Jogging Tour, Mexico City
2004: Olympic Village, Puerto Rico Biennale 2004
2003: To Be Political It Has To Look Nice, apexart, New York
2003/to today: Selfportraits at Airports
2002: The Artist as Ethnographer, Museo del Cerro, Puerto Rico
EXHIBITIONS, PROJECTS AND TEXTS BY PLB
ABOUT ME
- Pablo Leon de la Barra
- "At the end of the fifteenth of his 'Letters on the Aesthetic Education of Mankind' Schiller states a paradox and makes a promise. He declares that ‘Man is only completely human when he plays’, and assures us that this paradox is capable ‘of bearing the whole edifice of the art of the beautiful and of the still more difficult art of living’. We could reformulate this thought as follows: there exists a specific sensory experience—the aesthetic—that holds the promise of both a new world of Art and a new life for individuals and the community. There are different ways of coming to terms with this statement and this promise. You can say that they virtually define the ‘aesthetic illusion’ as a device which merely serves to mask the reality that aesthetic judgement is structured by class domination. In my view that is not the most productive approach..." from Jacques Rancier, 'The Aesthetic Revolution and its Outcomes', New Left Review 14, April-March 2002
SHORT BIO
Pablo León de la Barra is an exhibition maker, independent curator and researcher. He was born in Mexico City in 1972. León de la Barra has a PhD in History and Theories from the Architectural Association, London. He has curated among other exhibitions ‘To Be Political it Has to Look Nice’ (2003) at apexart and Art in General in New York; ‘PR04 Biennale’ (2004, co-curator) in Puerto Rico; ‘George and Dragon at ICA’ (2005) at the ICA-London; ‘Glory Hole’ (2006) at the Architecture Foundation-London; ‘Sueño de Casa Propia’(2007-2008, in collaboration with Maria Ines Rodriguez) at Centre de Art Contemporaine-Geneve, Casa Encendida-Madrid, Casa del Lago-Mexico City, and Cordoba, Spain; ‘This Is Not America’ at Beta Local in San Juan, Puerto Rico (2009); ‘Incidents of Travel in Central America, Chiapas, Yucatan and Elsewhere’, at the CCE in Guatemala (2010); ‘To Know Him Is To Love Him’, Cerith Wyn Evans at Casa Barragan, Mexico City (2010); ‘Incidents of Mirror Travel in Yucatan and Elsewhere’, at Museo Tamayo, Mexico City (2011); 'Bananas is my Business: the Southamerican Way' at Museu Carmen Miranda, Rio de Janeiro (co-curated with Julieta Gonzalez, 2011); 'MicroclimaS' at Kunsthalle Zurich (2012); 'Esquemas para una Oda Tropical', Rio de Janeiro, 2012; 'Marta 'Che' Traba' at Museo La Ene, Buenos Aires (2012); Novo Museo Tropical at Teoretica, San Jose, Costa Rica (2012); Museu Labirinto / Museum of Unlimited Growth, ArtRio, Rio de Janeiro (2012); The Camino Real Arcades, Lima, Peru (2012). PLB has acted as advisor and/or art curator for the following art fairs: Pinta/London (2010-12), Maco/Mexico (2009-1012), Circa/Puerto Rico (2010), La Otra/Bogota (2009), ArteBA/ Buenos Aires (2012), ArtRio/Rio de Janeiro (2011-2013). León de la Barra has written amongst other publications for: Frog/Paris, PinUp/New York, Purple/Paris, Spike/Austria, Tar/Italy, Wallpaper/London, Celeste/Mexico, Tomo/Mexico, Rufino/Mexico, Ramona/Buenos Aires, Metropolis M/Amsterdam, Numero Cero/Puerto Rico. PLB has also written texts for many artists and exhibition catalogues, lectured internationally and participated in many international symposiums where relevant topics to arts, culture and society have been discussed. PLB was co-director of ‘24-7’ an artists-curatorial collective in London from 2002-2005 and artistic director of ‘Blow de la Barra’ in London from 2005-2008. From 2005 to 2012 he was curator of the White Cubicle Gallery in London, a community art space which he also founded. He is also founder of the Novo Museo Tropical, a museum yet to physically exist somewhere in the tropics and curated the First Bienal Tropical in San Juan Puerto Rico (2011). He is also the publisher of Pablo Internacional Editions and editor of his own blog the Centre for the Aesthetic Revolution. He lives and works between London, Mexico City, Los Angeles, Rio de Janeiro, Sao Paulo, San Juan, Bogota, Lima, Athens, Beirut...
SOME RECENT PROJECTS, SOME NOT SO RECENT
2011: Gran Bienal Tropical, curated by Pablo Leon de la Barra at La Comai in San Juan, Puerto Rico
2011: 'Savage Lava Jungles' my contribution to the Serpentine Gallery's Garden Marathon
2011: 'Bananas is my Business: The South American Way' at Museu Carmen Miranda, Rio de Janeiro
2011: '23 de Janeiro': Ideal Demonstration Apartment, ArtRio, Rio de Janeiro
2011: 'Incidents of Mirror Travel in Yucatan and Elsewhere' an exhibition by PLB at Museo Tamayo
2011: Novo Museo Tropical Architecture
2010: 'Diagrama Tropical' an attempt to construct a tropical history
2010: 'Paisaje Inutil: A Notebook on Cities and Places', a special edition of Pablo Magazine
2010: Mies Cruising Pavilion Montjuic, an unauthorised exhibition in the Barcelona Pavilion
2010: Incidents of Travel in Central America, Chiapas, Yucatan and Elsewhere... at CCE, Guatemala
2010: Cerith Wyn Evans at Casa Barragan, Mexico City
2009/10: The Next Documenta Should be in Brasilia
2010: Tristes Tropiques at The Barber Shop in Lisboa
2010: Somewhere Over the Rainbow, CircaLabs, San Juan, Puerto Rico
2009: Abstract Reality, Cooperativa Internacional Tropical in Bogota
2009: Novo Museo Tropical Manifesto
2009: This Is Not America, San Juan, Puerto Rico
2009: El Noa Noa, Bogota, Colombia
2009: Dominique Gonzalez-Foerster and Pablo Leon de la Barra, conversation at Tate Modern
2009: Rotterdam Dialogues: The Curators at Witte de With
2008: Lessons on Psicotronica Tropical, Rio de Janeiro
2008: Case Study Houses: Pablo Magazine Special Issue
2008: Sueño de Casa Propia, Mexico City
2008: Sueño de Casa Propia, Cordoba, Spain
2007: Sueño de Casa Propia, Madrid
2007: Sueño de Casa Propia, Geneva
2006: Glory Hole, an exhibition
2006: Guia do Copan/CopaCopan Day, Sao Paulo
2005: George and Dragon at ICA
2004: Jogging Tour, Mexico City
2004: Olympic Village, Puerto Rico Biennale 2004
2003: To Be Political It Has To Look Nice, apexart, New York
2003/to today: Selfportraits at Airports
2002: The Artist as Ethnographer, Museo del Cerro, Puerto Rico
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