Showing posts with label Havana. Show all posts
Showing posts with label Havana. Show all posts

Tuesday, 30 December 2014

TANIA BRUGUERA, #YOTAMBIENEXIJO, A CALL FOR FREEDOM OF SPEECH AT REVOLUTION SQUARE IN LA HABANA, THIS TUESDAY DECEMBER 30 AT 3:00 PM


TANIA BRUGUERA, #YOTAMBIENEXIJO, A CALL FOR FREEDOM OF SPEECH AT REVOLUTION SQUARE IN LA HABANA,
TUESDAY DECEMBER 30 AT 3:00 PM
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Open Letter
17.12.2014
Vatican City, Italy.
Download PDF

Dear Raúl, querido Obama, dear Pope Francis,

First let me offer congratulations, because politicians are expected to make history and today, December 17th, 2014, has been a historic day.

You have made history by proposing that the embargo/blockade become empty words. With the restoration of diplomatic relations, you have transformed the meaning of fifty-three years of policies defined by one side (the United States) and used by the other (Cuba) to ideologically guide the daily lives of Cubans everywhere. I wonder if this gesture is not also a proposal to kill ideology itself? Cuba is finally seeing itself, not from the perspective of death, but of life. But, I wonder, what will that life be and who will have the right to that new life?

Very well then, Raúl:

As a Cuban, today I call for the right to know what is being planned with our lives and, as part of this new phase, for the establishment of a politically transparent process in which we will all be able to participate, and to have the right to hold different opinions without punishment. When it comes time to reconsider what has defined who we are, that it not include the same intolerance and indifference which has so far accompanied changes in Cuba-a process in which acquiescence is the only option.

As a Cuban, today I demand there be no more privileges or social inequalities. The Cuban Revolution distributed privileges to those in government or deemed trustworthy (read: loyal) by the government. This has not changed. Privilege created the social inequalities under which we have always lived, inequalities which were then rationalized as a revolutionary meritocracy and are now being transformed into a reliable entrepreneurial class. I demand that the emotional and tangible rights of those who cannot participate in this new phase-those at the bottom-be protected.

As a Cuban, today I demand that we not be defined by the financial markets nor by how useful we can be to government. I call for equality for the Cuban who, due to the blockade/embargo, spent his life working in a factory only to come home a proud worker's hero but now has no place in a world of foreign investments and can only hope to receive a pension defined by the standards of socialist times, not by today's market economy. What is the plan, Raul, to avoid the same mistakes made by the countries from the former socialist camp? To avoid returning to the Cuba of 1958? How do we repair the emotional abuse the Cuban people have endured through the politics of recent years? How do we ensure there is social and material justice? How do we guarantee we will not become a colony, that we won't have to accept our new providers without question-as happened first with the Soviet Union and then with Venezuela?

As a Cuban, today I call for the right of peaceful protest in the streets to support or denounce any government decision without fear of reprisal. I call for the legal right to establish associations and political parties with platforms that differ from that of the ruling party. I call for the decriminalization of civic activism, civil society, and of those with different points of view. I demand that the legitimacy of political parties born of the popular will be recognized. I call for direct elections in which all political parties are allowed to participate, and for ideological discrepancies to be resolved with debate and not via acts of repudiation.

As a Cuban, today I demand the right to be a political being-not merely an economic entities or symbolic exchange to make history.

As a Cuban, Raúl, today I want to know the vision for the nation we are building.

As an artist, Raul, I propose you today to exhibit "Tatlin's Whisper #6" at the Plaza de la Revolución (Revolution Square). Let's open the microphones and let all voices be heard. Let's not offer just the clatter of coins to fulfill our lives. Let's turn on the microphones. Let's learn together to make something of our dreams.

Today I'd like to I propose that Cubans take to the streets wherever they may be on December 30th to celebrate, not the end of a blockade/embargo, but the beginning of our civil rights.

Let's make sure it's the Cuban people who will benefit from this new historic moment. Our homeland is what hurts us.

Tania Bruguera
Vatican City, December 17, 2014

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Communique #1
20.12.2014



WHO ARE WE?

Following the Open Letter sent by the artist Tania Bruguera to Cuban President Raúl Castro on December 17th, a volunteer civic platform sprung up from its key phrase, "I demand," with the purpose of gathering on December 30th at La Plaza de la Revolución in Havana to call for the political, economic, cultural and civil rights of Cuban citizens. #YOTAMBIENEXIJO is a public and inclusive platform.

The answer to the question "Who are we?" is none other than "Who am I?" If you are Cuban and you believe in the restitution of your rights, then this platform is you.

WHAT DO WE WANT?

A call to Cubans to come peacefully to La Plaza de la Revolución in Havana on December 30th in order to use an open microphone to make a personal gesture in a public space. Speaking for ourselves is the first step toward the reclamation of our rights. Everyone has the floor. Make La Plaza de la Revolución the place for discussion and debate. LA PLAZA ES TU PLAZA.

HOW DO WE WANT IT?

Next December 30th at 3 P.M. EST, #YOTAMBIENEXIJO will gather, without violence and without fear, at La Plaza de la Revolución to transform it into a space of respect for diversity of opinions about what kind of country we want to build. True freedom means tolerance.

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Press Release #1
21.12.2014



Cubans call for a peaceful gathering in La Plaza de Revolución. After the joint announcement from Cuba and the U.S. about the reestablishment of diplomatic relations, Cuban citizens, based on the demands articulated in #YoTambienExijo, call for a peaceful gathering in Havana's historic Plaza de la Revolución on December 30th at 3 p.m. (local time) in order to discuss, via an open microphone, what kind of nation they want for themselves.

"It would be a personal gesture in a public space. Speaking for ourselves is the first step toward the reclamation of our rights. Everyone will have the floor. Make the La Plaza de la Revolución a space for discussion and debate", said the organizers of #YoTambienExijo. The group's Facebook FanPage added more than 1,000 likes in the first 24 hours after the historic news.

Following the Open Letter sent by Cuban artist Tania Bruguera to Cuban President Raúl Castro, the U.S. President Barack Obama and Pope Francis on December 17th, a civic, volunteer and non-partisan movement sprung up.

Based on the key phrase from the letter, "I demand," Cubans will reclaim their civil, political, economic and cultural rights. "#YOTAMBIENEXIJO is a public and inclusive platform. The answer to the question "Who are we?" is no other than "Who am I?" If you are Cuban and you do believe in the restitution of your rights, then this platform is you", states the call."Today, as a Cuban, I demand to be informed about the plans being made with our lives, and that, as part of this new stage, a process of political transparency be established; where we all can have a space of participation and the right to have a different opinion that won't be punished (...) "Today, as a Cuban, I want to know which is the idea of Nation that we are building", asserts Tania Bruguera in her Open Letter to the three Chiefs of State.

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Communique #2
#YoTeInvito (I invite you) to our Plaza
22.12.2014



Dear Cub@ns,

Following the news of December 17th that stirred our Nation, I sent a letter to the Cuban newspaper Granma (which, of course, was not published). After its publication by other press media, a group of Cuban citizens with no party affiliation reacted to a phrase in this letter that calls all Cubans to gather next December 30th at La Plaza to speak out at an open microphone.

They have created the platform #YoTambienExijo (http://www.facebook.com/YoTambienExijo) to which they have invited me, and so far, it has added more than 1000 persons with the common purpose of making real what was kind of a metaphor in my letter or maybe an unconscious desire that slipped out of my mind due to that day's commotion.

The idea is to get together at La Plaza on December the 30th at 15:00 in order to speak and discuss peacefully about what concerns us in these days, to be there and let others know of what we think and our reasons for it, in an atmosphere of tolerance and respect.

Let there be diversity of opinions and topics so we can discuss and talk among us all. We do not have any kind of agenda nor follow any particular ideology; we just want people to come, those that have not found a space to share their doubts or experiences, and those that felt they were not represented by the alternative spaces already open.

Let's all come: housewives, self-employed persons, movie makers, mechanics, taxi drivers, managers, sex workers, students, marginalized persons, teachers, retired persons, farmers, blue collar workers, in fact all; let's get together and think about what is the concept of nation that we want to build and put into practice. We are not going to celebrate the potential ending of the embargo; we want to celebrate the birth of our rights. On this day we are not going to claim our rights, instead we are going to exercise our rights.

It would be great to interact with you on that day at La Plaza, as a direct reference to a work I did at the 2009 Bienal de la Habana, where I set a microphone that was used by those who stood for the Revolution, those who criticized it, those who couldn't understand our reality, those who were afraid, and those who tried to vocalize their right to express their ideas.

It would be an honor to have you there. See you on December 30th at La Plaza. A different Plaza, our Plaza.

Hugs,
Tania Bruguera
Yo También Exijo

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Declaration of Principles for Artistic Action
Ten instructions to activate "Tatlin's Whisper# 6"
25.12.2014



Given the fact that art leads to multiple interpretations.

Given the diversity of views that are summoned there and the passion with which Cubans defend their ideas.

Given the fact that we have received proposals from Cubans around the world who also want to speak from their Plaza.

Given the peaceful nature of the #YoTambienExijo platform that promotes the meeting of the 30th of December.

We want to provide access to instructions, so that this work may be performed with us in Havana, or elsewhere.

Ten instructions to activate the work "Tatlin's Whisper# 6"
(Note: Before starting the work a person explains the rules to all present).

1. The microphone is open for anyone who wants to use it.

2. Each person has a minute to speak whereupon should leave the microphone to those who follow and respect the right of others to express themselves on equal terms.

3. Each group to perform this piece can choose in what way they will indicate that the intervention time is over. We suggest: clapping, finger snaps, a buzzer alarm sound, a musical instrument.

4. The main rule of this work is that ALL reviews are welcome and the audience may NOT stop the intervention. If someone disagrees he/she can use its minute at the microphone to offer a different opinion.

5. Each person involved in the performance will speak from his/her point of view. No spokespersons or alternative institutions or government groups will be accepted. It is a public but individual action.

6. Vulgarity, swearword, curse, calls to violence, discrimination or affronts to the integrity of individuals, shall not be accepted.

7. Illegal acts or violent actions against public order are not accepted.

8. The length of the work is up to the public. In the event the work spans for several hours and recurrent ideas are detected, the audience can resolve to establish a new 'open mic' to talk about a specific topic. Whenever a new group starts, the rules will be explained again.

9. The order of speakers will be determined by the order in which the word is requested. The order of speakers should be respected.

10. The work is an Art Space where we all can design our desires and our human imaginaries.

#YoTambienExijo

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Press Release #2
Cuban artist will perform on Havana Square
29.12.2012



The aim of the artistic performance "Tatlin's Whisper # 6" that Cuban artist Tania Bruguera will perform at La Plaza de la Revolución of the city of Havana, Cuba, on December 30th at 15:00 (local time), is that Cubans peacefully express the ideas they have about their nation and its future, after the re-establishment of relations between Cuba and the United States.

"The work is an artistic event that will allow Cubans to speak with their own voice on issues that concern them on the verge of a new year," said Bruguera, who is widely recognized throughout Cuba and abroad for her work and reflections on the social role of art. For a full minute, any Cuban attending the performance may claim his/her rights and talk about his/her dreams and everyday problems. Similar to the performance "Tatlin's Whisper # 6", held on the Havana Biennial 2009 at an ‘open microphone'. This will render all attendees have their turn to speak.

The initiative is an example of political art and the role of art in society. "It's what I call ‘Art Made for a political specific timing', which can be translated as a work done for a particular context and political situation," says the artist. "Performances and initiatives such as that to be held in La Plaza are usual in other countries. The social and artistic movements have always been connected, one of the soundest cases in Latin America was that of ‘Tucumán Arde', for example," says Bruguera, who has her home-studio in Cuba and lives among the United States, France and in any country where her work develops.

In Letter to Pope Francis this December 26th before leaving to Cuba, Bruguera said: "Dear Pope, our freedom is also in your protection. We need your blessing at a time when we have clearly in mind the words of John Paul II, who in that same Plaza asked Cubans not to be afraid, to open to the world, so that the world could open to us."

The artistic action will be a peaceful event where calls to violence, discrimination, affronts to the integrity of individuals, illegal acts or violent actions against public order, will not be tolerated or accepted, the artist clarified in the letter addressed to the Pope.

At a meeting on Saturday December 27th with Bruguera, the President of the National Council of Arts, Ruben del Valle, made clear that the state agency does not support the organization, disclosure, or legal procedures necessary for carrying out the work. Bruguera then confirmed: "The work will be performed. This is a contribution of Art to the necessary discussion of ideas in Cuban society. "

Useful Art for a better society

Civil Platform #YoTambienExijo emerged as a result of the Open Letter Bruguera forwarded on December 17th to Pope Francis, President Barack Obama, and Cuban President Raul Castro in response to the announcement of the re-establishment of diplomatic relations between Cuba and the United States. The Platform brings together dozens of Cubans inside and outside of Cuba on behalf of human rights.

"Processes like this expand the borders of the world, and as Cuba is part of the world, we see this as a very positive deed for Cuban society, to be involved in global art and human rights movements, promoting and rescuing the faith for a better world" defended the Cuban artist. Bruguera, spokesperson for the Platform, said the action is based on the need for Cubans to publicly share their expectations on the surprising political shift between the island and the United States. "Cubans have the right to ask questions and to receive answers," justified the artist.

As for the Platform #YoTambienExijo, she said that it "was born as an inclusive project with no political affiliation or belief, from concerns among friends, acquaintances of acquaintances, but without any experience in activism and leadership within Cuban civil society."

FURTHER INFORMATION:
. See FanPage #YoTambienExijo: www.facebook.com/YoTambienExijo
. See Facebook Event: www.facebook.com/events/1515487705372907
. See Open Letter at Blog www.taniabruguera.com
. Twitter: @yotambienexijo
. Press Contact: Email: exige@yotambienexijo.org


"Neither slaves, nor consumers. Let's be Citizens." #YoTambienExijo

Saturday, 4 April 2009

'X HAVANA BIENAL' 2009, SELECTED WORKS


Carolina Caycedo, 'Use in Case of Emergency' 13 red machetes inscribed with the names of revolutionary guerilla movements in latinamerica


Fernando Bryce


Kader Attia


Luis Camintzer
left blackboard:
"Unfortunately I have the money and you work
Unfortunately I eat well and you don't
Unfortunately I have fun and you are fucked
Unfortunately I have the bullets although i shouldn't
Unfortunately the only thing you have left is ethics"

right blackboard:
"You have the money and I work
You eat and I look
You have fun and I wait
You have the bullets and i die
You explain and I don't understand your dogma"


Leon Ferrari, 'Nosotros No Sabiamos' collection of newspaper notes reporting on the appearance of the mutilated, incinerated and bullet-ridden bodies found in Argentina during the dictatorship. Nosotros no sabíamos (We Didn’t Know) was the phrase repeated by a large section of the population which refused to acknowledge State terrorism.


Stan Douglas 'Inconsolable Memories' : a 16mm film based in part on Tomás Gutiérrez Alea’s 1968 film, Memorias del Subdesarrollo (Memories of Underdevelopment). "In an underdeveloped country, there is no continuity, everything is forgotten. We waste our talent in adapting to each new situation..."


Nuevos Ricos (Carlos Amorales and Silverio), 'Fonoteca de Discos Pirata', 1000 pirate CDs of funk, ska, punk, italo disco, salsa, cumbia, grunge, hip hop, to be circulated in Havana


Tirzo Martha, 'Tourism (Curazao)'


Patrick Tuttofuoco, 'Mapa 6 (Cuba)'

Thursday, 2 April 2009

'ESTADO DE EXCEPCION' A PROJECT BY TANIA BRUGUERA AT GALERIA HABANA EXHIBITING WORK BY THE STUDENTS OF 'ARTE DE CONDUCTA' AND GUESTS


Galeria Habana, exterior


Osdany Morales and Sergio Valdes: Life Exchange


Wilfredo Prieto: 'En Vivo', someone inside the gallery has a hidden microphone, the conversations with this person are reproduced by speakers outside the gallery.


Ghabbana Men's Revolution: about the use of Dolce and Gabbana by male Cubans, a project by Aylee Ibanez, Yanahara Mauri, Daleysi Moya and Reynier Valdes


Makinah: O'Reilly 538, installation on building on ruins


Sislej Xhafa: Cuban businessman chopping onions


Alejandro Ulloa: work realized by Tania Bruguera: stolen tiles from the National Museum of Fine Art


Thomas Hirschorn


Nuria Guell, 'Humanitarian Help', marriage with a cuban national to give him Spanish passport


Tania Bruguera and Claire Bishop

'Catedra Arte de Conducta' is a program of studies in political art. It was founded by Tania Bruguera in Habana in January 2003 with the purpose of creating an alternative training space focused in the discussion and analysis of social conduct and the understnading of art as a way of establishing a dialogue with reality and the civic current situation. Research has centered on the limits of art, the relationship among art, life and society, the paradoxes of cultural identity, the representation of the reality surrounding us, collective moemory, historical conditions and ideology.

More than the results achieved in the time we have been working, 'State of Exception' intends to exhibit the functioning of the project. From March 24 to April 1st, nine collective exhibitions by participating artists and some by professors who have been invited to offer workshops throughout htese years will be daily shown at Galeria Habana . From April 2, a sample including doumentation on the various functions of the Catedra will be exhibited in this space with the inclusion of presentations and lectures by its members. 'State of Exception' is a live proposal that intends to bring to exhibition spaces the working process of its action dynamics.

ABOUT ARTE DE CONDUCTA
Cátedra Arte de Conducta, is the first performance and time based art studies program in Cuba. This project is being hosted by the Instituto Superior de Arte, internationally recognized as Cuba's finest art school and the only university-level art educational center in the island. The project made its debut during Fall 2002. Cátedra Arte de Conducta has three main goals:
1- the study program.
2- the use of this space to bring renown national and international artists to present their artwork and share their experience with the students.
3- the creation of a specialized library / archive.

1. THE STUDY PROGRAM
The first and most important goal of the C·tedra Arte de Conducta is its study program. The Catedra, or department, wants to create a safe, warm, stimulating work space in which students develop their previous skills as well as experiment with new ways of expressing themselves in time based / performance forms.

We will observe performative aspects of behavior and environment. We will also explore how behavior endures as well as how it can be transmitted, the limits of media, the paradoxes of cultural identity -- cultural representations, representational conventions and memory, historical conditions and ideology. We will focus on different elements of structure involving the making of this kind of art and employ multiple models of discourse.

The structure of the program is through courses, advisors, lectures, workshop, school exchange, public presentations and thesis:
_ The courses are the regular non-electives classes.
_ The advisors are artists, directly affiliated with the program or not (but with previous agreement from the program), being chosen by the student to be their personal advisors for a semester on a specific project. A minimum of 6 face to face meetings between the advisor and the student plus a public presentation at the end has to be done.
_ The lectures are a requirement for each of the invited artist, there are open to the general public. They would be as much as possible recorded and being accessible through the library / archive.
_ The workshops are the electives classes and where the invited artists will teach. They can be from one to eight weeks long.
_ The school exchange is a special event held every January, in which we invite an artist, who is also a professor, to come with his / her class for a three weeks intensive course. The result is a group show featuring student work from both schools.
_ Each student as well as selected invited artists would be part of the public presentation series. This is an important part of the program since it is the moment when the student experiences this kind of art in its highest level of intensity. It is also important since the selected invited artists would share there art with the Cuban audience, which generally would not have seen this work in person before. Also, the students can be part of the organization and production of the artistís piece, which would be a privileged way of learning.
_ The thesis is the last and final exercise of the program. It is held as a public presentation. The program has a University level degree and a minimum of two years of study. To complete the degree the student would have had to successfully accomplish a minimum of twelve reglamentary courses, six each year four workshops two advisors one school exchange. a thesis presentation.

The year is divided in two fifteen weeks semesters and one intensive three weeks course. The school starts every first Monday of September and runs the first semester until the second Friday of December. The intensive course starts every January 6 until the 26. The second semester starts the first Monday of February until the second Friday of May.

2. INVITED ARTISTS / PUBLIC PRESENTATION
The decision on the selection of the invited artists would be done taking in mind the value of the artistic discourse of the artist in relationship with the broader discourse of the program. They can be national international artists; in both cases with a respected body of work as well as for the innovative way in which they have addressed specific aspects of art, life and society.
The invited artists could be part of the presentations and / or the workshops. The access to international art scene and artwork in Cuba is mostly done through art magazines and reproductions and since in performance and time-based art the actual experience is such an important element of the consumption and understanding of the work, we want to provide a space for showing in person some of the work of the more important contemporary artists working in this media, a bridge of information / experiences of artworks and artistic discourses.

The students would always be part of the public presentations either through the presentation of their own work or assisting and / or collaborating with the invited artist

Since the best way to learn art is through the understanding of the process of creation and the strategies of and in it, we want for some of the invited artists to share their experiences with our students through a workshop.

3. THE LIBRARY / ARCHIVE
As part of our larger project, we are also opening a specialized library / archive where the invited artists and curators donate any kind of documentation (books, catalogues, slides, videos, CR-ROOM, DVD, magazines, etc.) that they may feel will be beneficial to our students. We will do our best to document the lectures and courses and keep that documentation available through this database as well.

If in the future we have founds, we would publish all the lectures as a book for academic purposes.

If the invited artist agrees, an interview about their body of work and the contemporary aspects of performance can be arranged with an art magazine in Havana. These articles would be archived and available at our library.

Monday, 30 March 2009

TANIA BRUGUERA'S 'FREEDOM OF SPEECH' PERFORMANCE AT THE HAVANA BIENAL




A podium, a yellow curtain.
An open microphone for people to say what they want.
A white dove on the shoulder like Fidel Castro in a 1959 speech.
Two guards behind.

Sunday, 29 March 2009

HAVANA SOCIAL CLUB: PARTY AT CASA DE LA MUSICA





Beatriz Lopez 'B-Lo' on stage


Tania Bruguera, Claire Bishop, Guillaume Désanges


artist Cristina Lucas, grand dame Patricia Sloane


Efrain Almeida and fans


Katy Hernandez, seen from detroit


Silverio ties his converse in the toilet

Thursday, 26 March 2009

CLUB TROPICAL: CENTRE FOR THE TERTULIAS CHEVERISTA



Beatriz Lopez arriving to Club Tropical in a coco-taxi




Cheverista leader Beatriz Lopez with art historian Claire Bishop


Salon Tropical's friendly staff

Tertulia: a type of Spanish literary salon that was popular in Spain from at least the 17th century and that eventually replaced the more formal academies. Tertulias were held in private homes at first, but from the early 19th century they met in clubs and cafés. Some well-known tertulias were described in novels and memoirs of the participants, including La fontana de oro (1870) by Benito Pérez Galdós and Pombo (1918) by Ramón Gómez de la Serna. The popularity of tertulias continued well into the 20th century. (from encyclopedia britannica)

Cheverismo is a new art movement for the next decade
http://www.cheverismo.com/