Subvision's main hall
artists having dinner
Subvision festival curator Brigitte Kölle
view of Subvision container city!
Galleria Huuto Helsinki (to the left) and N55's geodesic moving structure (urban free habitat system) in the background
FAIT and Umschichten's swimming pool and champagne bar
sitting room with new housing developments for those that can afford it in background!
viewing tower
artist painting her body!
blocked container
Vancouver's Artspeak archeological investigations into the site
Hamburg's Baltic Raw Org's pavillion
The Hex's Library
Guestroom's 'Ways of Living' exhibition
i-cabin's hammock
i-cabin's structure
Publish and be Damned bureau
Ludovica Gioscia's screen at Publish and be Damned
Publish and be Damned working table
Publish and be Damned photocopy machine
Publish and be Damned bibliotheque
Publish and be Damned production of Subvision fashion issue
production of Pablo Magazine special issue
Pablo Magazine special issue: unauthorized edition of 'The Geopolitics of Pimping' by Suely Rolnik. Text can be read at
http://transform.eipcp.net/transversal/1106/rolnik/en
Pablo Leon de la Barra and Kit Hammonds with their African caftans
Pablo Leon de la Barra doing a reading of 'Geopolitics of Pimping' to deaf ears
Maria Benjamin and Ruth Hoflich from the Guestroom with Kit Hammonds celebrating the reading
Richard Healy's fireworks for i-cabin!
FRILAND sign
Artists' initiatives from around the world testing new exhibition and mediation formats have been invited to the subvision festival from 08/26 to 09/06/2009 to present their artistic work as well as their very own strategies of presenting and mediating art. 31 artists' groups, independent project spaces, artists' archives, and research projects from 19 countries that are developing outside established institutions and disregarding commercial viability will create an exciting and variegated presentation forum with exhibitions, artists' talks, performances, concerts, readings, and video screenings. A temporary exhibition architecture consisting of shipping containers and scaffolding form an extraordinary frame for an unconventional endeavour. The design of the yet undeveloped "prime cut" of the HafenCity is oriented towards urban planning models, citing them not without irony.
PARTICIPATING ARTISTS' INITIATIVES:
98 weeks research project, Beirut (LB), Artspeak, Vancouver (CA), BALTIC RAW ORG, Hamburg (DE), Barbur, Jerusalem (IL) + Darom, Tel Aviv (IL), Bell Street Project Space, Vienna (AU), CAA/CAA (Contemporary Art Archive/Center for Art Analysis), Bucharest (RO), Chto delat/ What is to be done?, St. Petersburg (RU), De Service Garage + Parachutartists Foundation, Amsterdam (NL) , D.I.V.O Institute, Kolin (CZ), Estación, Tijuana, Tijuana (MX), F.A.I.T. (Foundation Artists – Innovation – Theory), Krakow (PL) in collaboration with umschichten, Stuttgart (DE), Galleria Huuto, Helsinki (FI), Graffiti Research Lab Vienna (vs. Memory9), London (UK), Guestroom, London (UK), Gugulective, Cape Town (ZA), i-cabin, London (UK), Kling & Bang gallery, Reykjavik (IS), Komplot, Brussels (BE), Konsortium, Düsseldorf (DE), Kunst-Imbiss, Hamburg (DE), Mahony, Vienna (AT), N55, Copenhagen (DK), noroomgallery, Hamburg (DE), Para/Site Art Space, Hongkong (CN), Publish and be Damned, London (UK), Sparwasser HQ, Offensive für zeitgenössische Kunst und Kommunikation, Berlin (DE), The Hex, London (UK) in collaboration with Trottoir, Hamburg (DE), The Suburban, Oak Park (US)
Curator: Brigitte Kölle
Artistic director: Martin Köttering
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