So, dear friends, I am to go on tour before my album launch, Before I do that, I should work my muscles on performing without my beloved band by re-sampling, karaokeing, and or, just singing with a fucked up electric guitar, and I will test that performance on you ear-holes and eye sockets before I take it on the road. Please come and be the FIRST to ever see me play these new songs of my post-apocaliptic tropical punk cabaret! with the powers of Sonja Khalecallon invested in me, I shall sing my heart out for you exclusive beloved peeps. I love you, come and gimme your love! xxx Cibelle, La Sonja Khalecallon
Sunday, 07 March 2010 at 21:00 Bistrotheque, 23-27 Wadeson Street, London, E2 9DR 5 quid @ door
Pablo Leon de la Barra, Cibelle and Kenneth Bostock
Karl Holmqvist wearing parangole!
The Serpentine Gallery Poetry Marathon is an ambitious two-day poetry event taking place in London during Frieze Art Fair week and featuring unique performances from leading poets, writers, artists, philosophers, scholars and musicians.
An international group of major figures will be brought together to perform in the Serpentine Gallery Pavilion 2009, designed by architects Kazuyo Sejima and Ryue Nishizawa of the acclaimed Japanese practice SANAA. The event will include performances of new work, collaborations, discussions and experiments.
The Poetry Marathon will include contributions from Vito Acconci, Etel Adnan, Mathias Augustyniak and Michael Amzalag, Caroline Bergvall, Kenneth G. Bostock with Pablo León de la Barra and Cibelle, Boulevard Magenta/Enrique Juncosa, Stuart Brisley, Eleanor Bron, Nathan Cash Davidson, Keren Cytter with Andrew Kerton, Charlie Dark, Tacita Dean, Jimmie Durham, Dominic Eichler, Tracey Emin, Brian Eno, Mark van Eyck, James Fenton, Olivier Garbay, Gilbert & George, John Giorno, Édouard Glissant, Kenneth Goldsmith, Eugen Gomringer, Dominique Gonzalez-Foerster, Alasdair Gray, Tim Griffin, Richard Hell, Geoffrey Hill, Sue Hubbard (presented by Susan Hiller), Karl Holmqvist, Michael Horovitz, Ranjit Hoskote, Grace Jones, Scott King with George Shaw, August Kleinzahler, Nick Laird, Sean Landers, Monika Lichtenfeld, Liliane Lijn, Sara MacKillop, Tom McCarthy with Henry Blofeld, Jonas Mekas with Edward Eke, Maria Mirabal, Eileen Myles, Daljit Nagra, Christodoulos Panayiotou, Philippe Parreno, Don Paterson, Holly Pester, Olivia Plender with Craig Burnett, Jeremy Reed with Itchy Ear, David Robilliard read by the Robilliards (Leo D. Burley and Rose Turner), Gerhard Rühm, Barry Schwabsky, Nancy Spero, Mladen Stilinović, The Bow-Wow Shop/Michael Glover, UbuWeb, Agnès Varda, Franz West, Saul Williams and Cerith Wyn Evans.
There is a long and vivid history of exchange between artists and poets. Guillaume Apollinaire made a literary connection to Cubism with his great work of 'visual poetry' Calligrammes: Poems of War and Peace 1913-1916. In the same period, Hugo Ball wrote the Dada Manifesto (1916), a movement in which the poet, essayist and performance artist Tristan Tzara was also closely involved. A decade later, in 1924, André Breton, the proponent of 'automatic writing', published La Révolution surréaliste (The Surrealist Revolution).
In the 1950s, Abstract Expressionism was an art movement with strong creative connections with writing and poetry of the time, from the work of poets Frank O'Hara and John Ashbery to artist Robert Motherwell's influential essays on the New York School. Later, in the 1960s, the international artistic network Fluxus formed innumerable close links between visual art and the written word.
The Poetry Marathon is the fourth in the series of Marathons staged in the Serpentine Gallery Pavilion each year. The Marathon series was conceived by Serpentine Gallery Co-director Hans Ulrich Obrist in 2006. The first in the series, the Interview Marathon in 2006, involved interviews with leading figures in contemporary culture over 24 hours, conducted by Obrist and architect Rem Koolhaas. This was followed by the Experiment Marathon, conceived by Obrist and artist Olafur Eliasson in 2007, which included 50 experiments by speakers across both arts and science, and the Manifesto Marathon in 2008.
The Serpentine Gallery Pavilion series is an ongoing programme of temporary structures by internationally acclaimed architects and designers. It is unique worldwide and presents the work of an international architect or design team who, at the time of the Serpentine Gallery's invitation, has not completed a building in England. The Pavilion architects to date are: Frank Gehry, 2008; Olafur Eliasson and Kjetil Thorsen, 2007; Rem Koolhaas and Cecil Balmond, with Arup, 2006; Álvaro Siza and Eduardo Souto de Moura with Cecil Balmond, Arup, 2005; MVRDV with Arup, 2004 (un-realised); Oscar Niemeyer, 2003; Toyo Ito with Arup, 2002; Daniel Libeskind with Arup, 2001; and Zaha Hadid, 2000. Each Pavilion is sited on the Gallery's lawn for three months and the immediacy of the process – a maximum of six months from invitation to completion – provides a peerless model for commissioning architecture.
The Serpentine Gallery Poetry Marathon is curated by Hans Ulrich Obrist, Co-Director of Exhibitions and Programmes and Director of International Projects. It is held in the Serpentine Gallery Pavilion 2009, designed by Kazuyo Sejima and Ryue Nishizawa of SANAA. The Serpentine Gallery Pavilion Commission was conceived by Julia Peyton-Jones, Serpentine Gallery Director and Co-Director of Exhibitions and Programmes in 2000.
Head of Programmes: Sally Tallant Public Programmes Curator: Nicola Lees Public Programmes Assistants: Mia Jankowicz, Yesomi Umolu, Lucia Pietroiusti
Cibelle, the Sao Paulo singer who lives in London presents a repertoire by musicians and composers that have inspired her career including David Bowie, Caetano Veloso, Tom Waits, Gilberto Gil, Tom Jobim, Kurt Cobain, Serge Gainsbourg, Vinicius de Moraes, and others. The scenography, a video sculpture, built by Cibelle and by artist Rick Castro, will feature images, videos and films that have also influenced the singer. In her solo show, Cibelle presented a sequences of voices, sampling of instruments and sounds of toys and objects together with live concert performance.
A cantora paulista vem de Londres para apresentar repertório inspirado em músicos e compositores determinantes em sua carreira, como David Bowie, Caetano Veloso, Tom Waits, Gilberto Gil, Tom Jobim, Kurt Cobain, Serge Gainsbourg, Vinicius de Morais, entre outros. Numa escultura cenográfica colocada em cena, construída por Cibelle e pelo artista plástico Rick Castro, serão projetadas imagens plásticas e cenas de filmes que também influenciaram a cantora. No show solo, Cibelle programa sequências de voz, de sampling, toca instrumentos e ainda programa sons de diversos brinquedos e objetos sonoros, como num live programming show.
List of Songs played: Chega de Saudade Lobo Bobo Brigas Nunca Mais Hô-bá-lá-lá Saudade Fez um Samba Maria Ninguém Desafinado Rosa Morena Morena Boca de Ouro Bim Bom Aos Pés da Cruz É Luxo Só
"At the end of the fifteenth of his 'Letters on the Aesthetic Education of Mankind' Schiller states a paradox and makes a promise. He declares that ‘Man is only completely human when he plays’, and assures us that this paradox is capable ‘of bearing the whole edifice of the art of the beautiful and of the still more difficult art of living’. We could reformulate this thought as follows: there exists a specific sensory experience—the aesthetic—that holds the promise of both a new world of Art and a new life for individuals and the community. There are different ways of coming to terms with this statement and this promise. You can say that they virtually define the ‘aesthetic illusion’ as a device which merely serves to mask the reality that aesthetic judgement is structured by class domination. In my view that is not the most productive approach..." from
Jacques Rancier, 'The Aesthetic Revolution and its Outcomes', New Left Review 14, April-March 2002
Pablo León de la Barra is an exhibition maker, independent curator and researcher. He was born in Mexico City in 1972. León de la Barra has a PhD in History and Theories from the Architectural Association, London. He has curated among other exhibitions ‘To Be Political it Has to Look Nice’ (2003) at apexart and Art in General in New York; ‘PR04 Biennale’ (2004, co-curator) in Puerto Rico; ‘George and Dragon at ICA’ (2005) at the ICA-London; ‘Glory Hole’ (2006) at the Architecture Foundation-London; ‘Sueño de Casa Propia’(2007-2008, in collaboration with Maria Ines Rodriguez) at Centre de Art Contemporaine-Geneve, Casa Encendida-Madrid, Casa del Lago-Mexico City, and Cordoba, Spain; ‘This Is Not America’ at Beta Local in San Juan, Puerto Rico (2009); ‘Incidents of Travel in Central America, Chiapas, Yucatan and Elsewhere’, at the CCE in Guatemala (2010); ‘To Know Him Is To Love Him’, Cerith Wyn Evans at Casa Barragan, Mexico City (2010); ‘Incidents of Mirror Travel in Yucatan and Elsewhere’, at Museo Tamayo, Mexico City (2011); 'Bananas is my Business: the Southamerican Way' at Museu Carmen Miranda, Rio de Janeiro (co-curated with Julieta Gonzalez, 2011); 'MicroclimaS' at Kunsthalle Zurich (2012); 'Esquemas para una Oda Tropical', Rio de Janeiro, 2012; 'Marta 'Che' Traba' at Museo La Ene, Buenos Aires (2012); Novo Museo Tropical at Teoretica, San Jose, Costa Rica (2012); Museu Labirinto / Museum of Unlimited Growth, ArtRio, Rio de Janeiro (2012); The Camino Real Arcades, Lima, Peru (2012). PLB has acted as advisor and/or art curator for the following art fairs: Pinta/London (2010-12), Maco/Mexico (2009-1012), Circa/Puerto Rico (2010), La Otra/Bogota (2009), ArteBA/ Buenos Aires (2012), ArtRio/Rio de Janeiro (2011-2013). León de la Barra has written amongst other publications for: Frog/Paris, PinUp/New York, Purple/Paris, Spike/Austria, Tar/Italy, Wallpaper/London, Celeste/Mexico, Tomo/Mexico, Rufino/Mexico, Ramona/Buenos Aires, Metropolis M/Amsterdam, Numero Cero/Puerto Rico. PLB has also written texts for many artists and exhibition catalogues, lectured internationally and participated in many international symposiums where relevant topics to arts, culture and society have been discussed. PLB was co-director of ‘24-7’ an artists-curatorial collective in London from 2002-2005 and artistic director of ‘Blow de la Barra’ in London from 2005-2008. From 2005 to 2012 he was curator of the White Cubicle Gallery in London, a community art space which he also founded. He is also founder of the Novo Museo Tropical, a museum yet to physically exist somewhere in the tropics and curated the First Bienal Tropical in San Juan Puerto Rico (2011). He is also the publisher of Pablo Internacional Editions and editor of his own blog the Centre for the Aesthetic Revolution. He lives and works between London, Mexico City, Los Angeles, Rio de Janeiro, Sao Paulo, San Juan, Bogota, Lima, Athens, Beirut...
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